Or, “Journalist dismayed by white actors playing white characters in period drama.”

I’m not at all sure what historical inclusivity might mean, given the racial demographics of rural England at the time of Brontë and Austen, in the eighteenth and nineteenth centuries. Indeed, what Ms Flint seems to want sounds more like ahistorical inclusivity. And whether incongruous, politically corrected racial casting choices constitute “imagination,” rather than A Following Of Very Modern Fashion, is a question I leave to the reader. 

Answers on a postcard, please.