Author: David

This And Other Things

In terms of ideology, “diversity” seems to be the belief that the less we have in common, and feel we have in common, the happier we will be. An unobvious proposition, to say the least. Yet the word is mouthed as if it were a self-evident good, a “strength,” a moral imperative, a thing of which one could never have enough.

It seems to me we’ve strayed very far from the idea that an attractively developed society should – and must – be discerning about which kinds of newcomers it welcomes, lest it be flooded with incompatible tribes and the trash of the world. The idea that the locals, the voting citizens, might want a good deal and ask, “What’s in it for us?” seems anathema to Our Betters. Likewise, the notion of a civilised society implying, quite strongly, “You’re lucky to be here. Behave accordingly.”

And so, instead, we get the routine airbrushing of crime news, and instructional videos in which ludicrous progressive women film themselves performing please-don’t-rape-me dances.

An ongoing experiment in self-annihilation.

Just Once, Maybe Twice

There’s an implied dare. The game being, “You won’t do what’s needed, despite our alarming and menacing behaviour, because you’re nicer than us, less vain, and not unhinged, and so we can dominate you and terrorise you, and break your stuff, for as long as we want, for shits and giggles.”

Well. I would suggest that the activists’ own actions render their wellbeing of very low importance.

On progressive concern for the wellbeing of burglars; on erotic entanglements with pets; on denouncing those who notice things; and when it turns out that there is a time and place for running people over.

Infinite Forgiveness

Understanding the mental states of others, their motives and assumptions, insofar as one can, doesn’t necessarily result in positive feelings towards them, or identification with them, or lead to a default forgiveness and willingness to excuse their behaviour. Simply put, if your “empathy” results in you being endlessly forgiving, endlessly accommodating, over and over again, then you’re almost certainly doing it wrong.

Or not doing it at all.

Problematic Pallor

Or, “Journalist dismayed by white actors playing white characters in period drama.”

I’m not at all sure what historical inclusivity might mean, given the racial demographics of rural England at the time of Brontë and Austen, in the eighteenth and nineteenth centuries. Indeed, what Ms Flint seems to want sounds more like ahistorical inclusivity. And whether incongruous, politically corrected racial casting choices constitute “imagination,” rather than A Following Of Very Modern Fashion, is a question I leave to the reader. 

Answers on a postcard, please.

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