Good evening, EBD here. Welcome to the Wednesday edition of SDA Late Nite Radio.
During the 1972 Munich Olympics a group of terrorists from Lebanon, Syria and Jordan entered the Athlete’s Village under cover of darkness; less than twenty-four hours later, 11 Israeli athletes were dead. I bring this up for a reason: I’m guessing that a lot of SDA commenters of a certain age remember how our schoolmates, teachers, friends, neighbours, and our journalists, were uniformly heartsick and appalled at the unjustifiable and inhuman brutality.
A lot has changed in the intervening 37 years. If a similar incident were to occur now, legions of people, including journalists, would launch into a discussion on the matter of Israel and in so doing obviate, almost incidentally, the matter of the volitional and moral agency of those who murdered the innocent athletes. This approach, which endlessly rationalizes inhuman brutality, typically flies under the banner of enlightenment and compassion. As Daniel Pearl’s father Judea wrote in the WSJ:
“Somehow barbarism, often cloaked in the language or ‘resistance,’ has gained acceptance in the most elite circles of our society. The words ‘war on terror’ cannot be uttered today without fear of offense. Civilized society, so it seems, is so numbed by violence that it has lost its gift to be disgusted by evil. I believe it all started with well-meaning analysts, who in their zeal to find creative solutions to terror decided that terror is not a real enemy, but a tactic.” (emph. mine)
Tonight’s musical selection, written by Noel Coward, and banned by the BBC, is a dark satire on the rationalizations of the British anti-war movement. WWII was still raging at the time the song was released in 1943 but, since the Battle of Britain had ended, Cowards’ naive, earnest character was moved to declare with disarming blitheness and no small measure of self-congratulation that “the war is over,” and to advocate for forgiveness and warm relations with their newfound would-be friends.
Coward could not possibly have known the extent to which the voices he satirically appropriated would later become mainstream, or that his topical, contemporary song was a harbinger of things to come.
Here it is, then: Noel Coward singing Don’t Let’s Be Beastly To the Germans.
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