Welcome to the Wednesday (EBD) edition of SDA Late Nite Radio. Tonight’s selection artfully juxtaposes a (lyrically) austere, Old Testament-inspired song with selected scenes from Pier Paolo Pasolini’s (also austere) 1964 film The Gospel According To St. Mathew. The combination is not, as one might expect, doubly austere, but rather lyrical and rapturous, and almost transcendent.
Like other neorealist directors Pasolini used non-professional actors almost exclusively, and in The Gospel According to St. Mathew he took this approach a step further: many of the seemingly endless cast aren’t actors at all, amateur or otherwise, and don’t act, or speak, or perform any actions at all; rather, their faces, and the hardship and concerns written on them, as seen in seemingly endless, lingering close-ups, are used to serve the – biblical, in this case – narrative.
Serves tonight’s song too, as it turns out. This one won’t be to everyone’s taste – what is, really? – but I like it, and you never know how long a particular video will be available, so here it is: an interesting visual treatment of Bob Dylan’s When He Returns.
Your Reader Tips are welcome, as always, in the comments.