Your Reader Tips are, as always, welcome in the comments.

Welcome to the Wednesday (EBD) edition of SDA Late Nite Radio.
When someone is singing a song in a language you don’t understand you can nonetheless often get a pretty good idea as to whether it’s a love song, a patriotic song, or, say, a drinking song simply by noting the tempo, the nature of the dance moves, the singer’s facial expressions, the clothing and set decorations, whether the song is in a major or minor key, and so on.
Good luck with that tonight: our feature performer’s facial and physical gestures are sufficiently foreign as to make it almost impossible for non-Russian speakers to determine either his emotional state or his intentions. He could be welcoming an honored guest with his heartfelt performance, or he could be openly celebrating his success in removing said guest’s toenails with a pair of pliers. There’s no way of knowing for sure, but after repeated viewings I lean towards the latter interpretation.
Here he is then, Smolensk’s own Eduard Hill, aka Edward Anatolyevich, National Artist of the Russian Federation and member of the Order of the Red Banner of Labour, performing the unease-inducing Я очень рад, ведь я, наконец, возвращаюсь домой.
You are invited, in a reassuringly unambiguous way, to provide your Reader Tips in the comments.

Your Reader Tips are, as always, welcome in the comments.

Good evening ladies and gentlemen, welcome to SDA Late Nite Radio. Tonight, for your delectation, here are Dr. Sándor Benkó (band leader, clarinetist & electrical engineer), Béla Zoltán (trumpet), Iván Nagy (trombone), Vilmos Halmos (piano), Jenő Nagy (banjo), Zsolt Kelemen (contrabass), and Gábor Kovacsevics (drums), as the Benkó Dixieland Band (who President Ronald Regan in 1987 said are: “One of the Best Bands in the World”), with special guest Mr. Joe Muranyi on clarinet and solo vocals, performing Body & Soul ¤, in Budapest, in 2005 (8:25).

Your Reader Tips are, as always, welcome in the comments.

Nota Bene: This is Reader Tips. This is not let’s talk about what I want to talk about because Kate hasn’t posted an entry on it somewhere else yet. Kate has made this policy abundantly clear in the past. Comments that are not reader tips or comments on reader tips, or that violate the other rules stated above the comment box, will be unpublished.

Updates: from Vitruvius and from Kate.

Your Reader Tips are, as always, welcome in the comments.

Good evening ladies and gentlemen, welcome to SDA Late Nite Radio. Tonight, for your delectation and pursuant to our continuing coverage of their work, here are Pink Floyd performing Us and Them ¤ §, from their A Momentary Lapse of Reason Tour, in 1987 (7:35). This song was originally the seventh track on their The Dark Side of the Moon album, in 1973, but I must say that I do think that Scott Page‘s saxophone work in this version is the best I’ve ever heard for this song. And, special for SDA LNR listener Black Mamba: there are no “giant nodding pigs” in this video 😉

Your Reader Tips are, as always, welcome in the comments.

On CV-61 in ’81 Good evening ladies and gentlemen, welcome to SDA Late Nite Radio. Tonight, for your delectation, here are Gladys Knight and The Pips performing Midnight Train To Georgia ¤ § in 1973 (3:13). I am also delighted to be able to announce that Hellman, Diffie, and Merkle have Won the IEEE Hamming Medal for their work on public- key cryptography ca. 1975. Follow the link for a good story.

Your Reader Tips are, as always, welcome in the comments.

Welcome to the Wednesday (EBD) edition of Late Nite Radio. Tonight’s song selection is a popular ballad that was first heard in the U.S. in the mid-to-late 19th century, and has been played and sung ever since. There’s some debate about the origins of its melody, with various camps claiming it closely resembles some Irish or Scottish tune or other; suffice to say that anyone who hears a resemblance to some other song is probably right, inasmuch as, with the exception of negro/slave music, virtually every American public-domain folk song from the 18th or 19th century is a variant, however many steps removed, of a particular Scottish/Irish/English folk melody.
Anyway you slice it, it’s a lovely and enduring song. Here’s — the almost painfully-Causasian — Irishman Paul Brady singing The Lakes of Pontchartrain.
You are invited, as always, to provide your Reader Tips in the comments.

Your Reader Tips are, as always, welcome in the comments.

Your Reader Tips are, as always, welcome in the comments.

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Good evening ladies and gentlemen, welcome to SDA Late Nite Radio. I s’pose most folks know Charlie Callas from his brilliant comedy work, such as that which we previously featured here on SDA Late Nite Radio when he performed his famous Shooting Sketch ¤, yet rather fewer folks know that Mr. Callas actually began his career as a professional drummer, playing in groups with Tommy Dorsey and Claude Thornhill. Tonight, for your delectation and further to rectifying that misunderstanding, here’s Charlie performing an unusual Drum Solo ¤ on the Merv Griffin show (2:55).

Your Reader Tips are, as always, welcome in the comments.

Welcome to the Wednesday (EBD) Late Nite Radio.
Tonight’s selection was cued up for almost a year in anticipation of Kate’s birthday, but then a couple days beforehand it was removed by the user. It recently came back up again, so I figure I’ll post it while it’s still there. Not only do I love the song, I also like the heartfelt fan-made amateur video that accompanies it. The fact that it treats the lyrics a bit too literally at times is part of its charm; the personal-photo collage is quite touching and really brings out the emotional heart of the song.
Here’s Bob Dylan, accompanied by Robbie Robertson and the rest of The Band, singing Forever Young.
Your Reader Tips are welcome, as always, in the comments.

Your Reader Tips are, as always, welcome in the comments.

USA 17

Alinghi 5

The weather in Valencia looks good for some proper racing in the first match of the 33rd America’s Cup challenge, which is ready to start, in a few hours, at 02:00 Mountain time on Monday, 2010-02-08. On the toss of a coin between the commodores of the defender yacht club, Switzerland’s Société Nautique de Genève, and the challenger, the USA’s Golden Gate Yacht Club, the priority to enter the start area for the first race, with the right of way on starboard tack, went to the USA’s BMW ORACLE Racing. I’ve tested the live streaming Internet video coverage and it appears to be ready to go at www.americascup.com (you’ll need to install the RayV viewer if you don’t already have it).

Update, 00:30: it became apparent, at our little A/C 33 pre-party, here in the SDA LNR studios, when we were discussing the interaction between the torques involved in these structures and Reynolds numbers, that some folks just don’t grok how big these sailboats are. I can fix that: the images to the left are to scale (pick to zoom). USA 17 is twenty stories high.

Update: Race 1 postponed to Wednesday due to lack of wind.

Your Reader Tips are, as always, welcome in the comments.

Good evening ladies and gentlemen, welcome to SDA Late Nite Radio. Old-time listeners will recall that since my ownership, as a young man, of KC 166 (which was Canada’s Tornado-class Olympic catamaran the year before I purchased it), I have been keeping abreast of developments in the fields of multihull and hydrofoil sailing, as a result of which we have had previous mentions here at LNR of, for example: the hydrofoil trimaran l’Hydroptère (and here ~ she’s currently the world’s fastest sailboat, at just under 90 km/h), of the sixty-foot ORMA-class ocean-going Brossard and Géant (and here) trimarans, and, of course, of HMCS Bras d’Or.

So it should not surprise that I have been keeping track of developments in the perhaps bizarre saga of The 33rd edition of the venerable America’s Cup yacht races, which, if all goes as planned, and if no more legal challenges are launched over the next two days, will begin, in Valencia, Spain, on Monday morning at 02:00 Mountain time. Furthermore, if all goes as planned, it is my understanding that live streaming video will be available at the americascup.com website. I’ve scheduled a little party for that time here at my place.

While I find some of the legal wrangling kind of silly (I s’pose a deed is a legal matter, though) it remains the case that these 90-foot “load waterline length” multihull sailboats in this 33rd cup are fascinating reflections of the state of the art in sailing technology. Not only that, in my experience as a multihull skipper and occasional monohull crewman, the strategy and tactics of this sort of race will be radically different from that of a monohull challenge. We shall see.

Anyway, I just wanted to give y’all a heads up about the timing of the first race and the streaming video option, so that those who may be further interested in watching, live, how this all turns out, will have time to prepare.

The Challenger USA 17 BMW Oracle Racing Golden Gate Yacht Club 113 × 90 × 223 Feet Watch Video ¤

The Defender Alinghi 5 Team Alinghi Société Nautique de Genève 110 × 83 × 165 Feet Watch Video ¤

Your Reader Tips are, as always, welcome in the comments.